Thursday, January 22, 2015

 

Dhamma poster : Persistance in Dhamma practise


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Tuesday, March 20, 2012

 

The Golden Buddha

*The Golden Buddha in this story is the Phra Phuttha Maha Suwan Patimakon (Thai: พระพุทธมหาสุวรรณปฏิมากร), now housed in Wat Traimit, Bangkok.

The Golden Buddha : By Jack Canfield from Chicken Soup for the Soul



In the fall of 1988 my wife Georgia and I were invited to give a presentation of self-esteem and peak performance at a conference in Hong Kong. Since we had never been to the Far East before, we decided to extend our trip and visit Thailand.



When we arrived in Bangkok, we decided to take a tour of the city's most famous Buddhist temples. Along with our interpreter and driver, Georgia and I visited numerous Buddhist temples that day, but after a while they all began to blur in our memories.




However, there was one temple that left an indelible impression in our hearts and minds. It is called the Temple of the Golden Buddha. The temple itself is very small, probably no larger than thirty feet by thirty feet. But as we entered, we were stunned by the presence of a ten-and-a- half-foot tall, solid-gold Buddha. It weighs over two-and-a- half tons and is valued at approximately one hundred and ninety-six million dollars! It was quite an awesome sight - the kindly gentle, yet imposing solid-gold Buddha smiling down at us.




As we immersed ourselves in the normal sightseeing tasks (taking pictures while oohing and ahhing over the statue), I walked over to a glass case that contained a large piece of clay about eight inches thick and twelve inches wide. Next to the glass case was a typewritten page describing the history of this magnificent piece of art.




Back in 1957 a group of monks from a monastery had to relocate a clay Buddha from their temple to a new location. The monastery was to be relocated to make room for the development of a highway through Bangkok. When the crane began to lift the giant idol, the weight of it was so tremendous that it began to crack. What's more, rain began to fall. The head monk, who was concerned about damage to the sacred Buddha, decided to lower the statue back to the ground and cover it with a large canvas tarp to protect it from the rain.
Later that evening the head monk went to check on the Buddha. He shined his flashlight under the tarp to see if the Buddha was staying dry. As the light reached the crack, he noticed a little gleam shining back and thought it strange. As he took a closer look at this gleam of light, he wondered if there might be something underneath the clay. He went to fetch a chisel and hammer from the monastery and began to chip away at the clay. As he knocked off shards of clay, the little gleam grew brighter and bigger. Many hours of labor went by before the monk stood face to face with the extraordinary solid-gold Buddha.




Historians believe that several hundred years before the head monk's discovery, the Burmese army was about to invade Thailand (then called Siam). The Siamese monks realizing that their country would soon be attacked, covered their precious golden Buddha with an outer covering of clay in order to keep their treasure from being looted by the Burmese. Unfortunately, it appears that the Burmese slaughtered all the Siamese monks, and the well-kept secret of the golden Buddha remained intact until that fateful day in 1957.




As we flew home on Cathay Pacific Airlines I began to think to myself, "We are all like the clay Buddha covered with a shell of hardness created out of fear, and yet underneath each of us is a 'golden Buddha,' a 'golden Christ' or a 'golden essence,' which is our real self. Somewhere along the way, between the ages of two and nine, we begin to cover up our 'golden essence,' our natural self. Much like the monk with the hammer and the chisel, our task now is to discover our true essence once again."




By Jack Canfield from Chicken Soup for the Soul
Copyright 1993 by Jack Canfield & Mark Victor Hansen

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Wednesday, November 02, 2011

 

Hajar Aswad dan Buddha? Tiada kaitan,maaf.





Blog bertemakan perbandingan agama ini adalah untuk menegakkan kebenaran dan menangkis segala kesalahtafsiran atas nama 'persahabatan keagamaan'.

Saya telah terbaca satu blog muslim yang cuba mengkaitkan Buddha dengan Islam,tapi malangnya kajian penulis Muslim itu berdasarkan andaian semata-mata. Ini link ke artikel yang berkenaan, dan di bawah adalah penjelasan saya. http://blog-jempol.blogspot.com/2011/09/hajar-aswad-dan-budha.html


maaf ya,teratai tiada kaitan dengan sidratul muntaha islam.Arca Buddha duduk di teratai bukan bermaksud beliau sampai ke sesuatu tempat sebagaimana anda mengkaitkan dengan Muhamad Mikraj. Teratai dalam sastera Buddha memberikan maksud mencapai tahap kesucian rohaniah tertinggi. Dalam khotbah2 Buddha,beliau pernah membuat perbandingan manusia dengan teratai. Walaupun teratai tumbuh dalam lumpur,ia akhirnya akan keluar dari lumpur dan kembang. Kelopak-kelopaknya bebas dari kotoran lumpur dan berbau wangi. Begitulah manusia,walaupun pernah ada kotoran batin,ia akan akhirnya akan dapat mengatasi segala kekotoran batin dan mencapai KeBuddhaan. Inilah maksud arca Buddha atas teratai. Harap maklum.


kutipan dari Dona Sutta :
"... "Bagaikan teratai merah, biru, atau putih – yang muncul dari dalam air, tumbuh di
air, keluar di atas permukaan air – tak dikotori oleh air, begitu pula saya – lahir di dunia,
tumbuh i dunia, telah mengatasi dunia – hidup tanpa dikotori oleh dunia. ..."






kutipan dari Magandiya Sutta :

"... Seperti bunga teratai berduri tidak ternoda oleh air & lumpur,begitulah seorang pertapa, pendukung kedamaian, tanpa keserakahan,tidak ternoda oleh nafsu indra dan dunia. ... "



kutipan dari Gara Sutta :


"...As a drop of water does not stick to a lotus, as water does not stick to a lotus, so a Muni does not cling to anything, namely, to what is seen or heard or thought..."

["...Sebagaimana tidak setitis air melekat pada bunga teratai, sebagaimana air tidak melekat pada bunga teratai, maka Yang Mulia tidak melekat kepada apa jua, iaitu apa yang dilihat, didengar ataupun difikir.." ]


* barangkali, dari bacaan inilah para pembuat arca Buddha dulukala mendapat inspirasi untuk membuat arca Buddha duduk atas teratai untuk mencerminkan tingkat kesucian rohani beliau.

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